Dear Harlequin,
Once upon a time your company used to change the titles of Betty Neels books willy nilly. I would like to submit a request that future printings of A Secret Infatuation be printed with an alternate title. Here are a few suggestions for your consideration: Lost in a Fog of Love (references RDD lost in the fog), Love is a Battlefield (references the Bosnian interlude), Swing Doors of Destiny (okay, pretty oblique, but still better than the original) or Torquay is for Lovers (granted, more than a bit bumper stickerish). Any one of these titles would give the reader more of a fighting chance of remembering what an awesome book is inside the covers.
Thank you,
Betty Debbie
Okay,
just a word about that cover art. Is that heroine wearing tassels and
appliques on her beige (!) windcheater? And a bow in her hair? He
looks like James Bond (naturally the smoking hot blonde one) and even if
he is wearing a pink shirt (no way in RDD h-e-double-hockey-sticks)
it's all working for him. She looks like a foundling dressed up in
cast-offs. Babes like Eugenie do not wear appliques. Still, as I shall
assert presently, there is no gainsaying the awesomeness of
A Secret Infatuation.
Eugenie Spencer
(tall, dark-haired, gorgeous and 25) is a very competent theatre staff
nurse not busily handing eminent surgeons their sharps or tamping down
the rising bile brought on by seeing blood and guts arrayed before her.
Instead,
she is home in Dartmoor with her father (who is recovering from a heart
attack), her mother (who will never recover from being adorable every
chance she gets) and the Reverend Mr. Joshua Watts (her father's locum
living nearby and suffering from the flu and a belief that Eugenie is
not way, way out of his league).
On her way home from a mission of
mercy in the thick moor fog, Eugenie stumbles across a great, socking
Bentley sitting idle in the road. Within is
Professor Aserik Rijnma ter Salis
but all Eugenie really hears is, "Blah Blah ter Blah...Dutch." He's
charmingly helpless and admits it so she scoots across his lap and dumps
herself in the passenger seat to navigate him through the fog.
He is
invited to spend the evening at the Rectory and as he leaves the next
morning, Eugenie waves him off, returns indoors and tells her mother,
"I should like to marry him. Don't laugh."
But
she doesn't see him for weeks. Father continues to recover, she fields
proposals from Joshua Watts without laughing outright, and soon enough
returns to work out her notice in the London hospital from whence she
came.

As
she waltzes through the swing doors of the operating theatre (Or should
I say the Swing Doors of Destiny?), he (Blah Blah ter Blah) is the
first man she sees. His reaction, she could swear, was initially
pleasure but drifts into coolness. Oh well. At least now she knows his
last name and what he does for a living and that he'll be
there...manipulating the innards of unconscious cardiac patients...right
in front of her! Sigh.
He drives her home on her days off. Not because he's in love with her or anything...(De-nial.)
She does not waste her time being missish.
Her: Are you married?
Him: No.
Her: But a hot RDD like you must be...(gulp) engaged.
Him: Yes.
Her: #$%$#
She
is devastated. She isn't about to steal him from the gal that got him
first--she's much too nice for that. But she can forget him
now...now...er...now. (It doesn't work very well.)
Mother, wife of a rector though she is, has fewer scruples. As Eugenie leaves again for London, Mom helpfully shouts,
"Shall I give Joshua your love?"
Eugenie
is much too honest to capitalize on all that helpfulness, so when Blah
Rijnma ter Salis probes about the reverend (he can't help being
interested) he is told in no uncertain terms that Joshua is less than
nothing to her. But like a drooling baby with a cellphone, Blah can't
let Joshua go and speaks unwisely.
"That is his loss. You are just right for a parson's wife, bossy and outspoken and managing and capable."
Eugenie, showing the Christian charity which ought to be the most
important feature of a clergyman's bride, lets the insult to herself
and, tangentially, to her charming mother, slide off her back.
"Let's talk about the weather." Eugenie: 1 Blah: 0
Despite their verbal sparring (No. Really
because of their verbal sparring....)

Blah
invites Eugenie to be his temporary theatre nurse in Groningen. A
quick consultation with her parents and another proposal from Mr. Watts
(Mother:
"Why is it that the wrong people like you?")
makes up her mind. She'll go to Holland, spend some lovely weeks
working with the love of her life, remain professional and helpful and
return a broken-hearted shell of her former self. That's the plan.
The first person she sees in Holland is Blah. The second person is Saphira...his fiancee'
--Her English was almost perfect. It would be. As rotten as it is to meet the woman, at least now she knows that Blah's Christian name is Aderik. Finally!
When
Eugenie does see Aderik (I miss typing Blah.) again socially, it is
because Saphira told him to ask her to tea. Ugh. Condescension. He is
not so dispassionate the next time, however, when he unfairly upbraids
her for picking up strange men.
Saphira was quite right when she suggested that I should warn you... But Eugenie isn't going to take that lying down.
...She is, I imagine, a good deal older than I am and probably knows more about being picked up than I do... Eugenie: 2 Aderik: 0 (You mess with a bull, you get the horns...)

But the apologies on both sides are as delightful as possible.
Professionally,
some VIP is charming enough to get heart complications in Madeira.
Eugenie isn't about to mope and be depressed just because Aderik is lost
to her. He wants to go to Madeira with little notice? Score. She'd
always fancied a visit to Madeira.
Madeira:
Lots
of nursing. She is chatted up by a driver, a doctor and the patient
and enjoys herself. She and Aderik have one day together doing tourist
stuff and being together at the end of which he kisses her unhurriedly.
I mean
really kisses her.
Mr. Rijnma ter Salis had made sure that she wasn't going to forget his.
Back
in Holland, things settle down (unhappily she's not being backed into
linen closets for a spot of snogging) until they day she tries to catch a
bus in a thunderstorm. He pulls up in his Bentley and...oh dear. Am I
the only one with the lyrics of
Don't Stand So Close to Me running in her head? (
"Wet bus stop. She's waiting. The car is warm and dry...") Is it hot in here?
But
that interlude is interrupted by an irate Saphira--happily shouting in
Dutch to save Eugenie's blushes. When Aderik meets Eugenie at the bus
depot again at the end of the day, surely it's coincidence. (Yeah, I
don't buy it either. How much do you think he paid his butler to run
over and collect a current bus schedule? How many times did he practice
saying nonchalantly,
'I was out walking...' in his bathroom mirror? How many times did he casually walk his dog past that spot until he hit pay-dirt?)
They
are called away to Bosnia. (In fact, that's how I think of this book.
'Oh, the Bosnia one.'--because the title gives away nothing.)
Bosnia:
Flying
into a war zone with camouflage uniforms, a blue helmet and a loosely
enforced cease fire doesn't terrify her as long as Aderik is right
there. And when the surgeries are over, they meet for an enchanted
moment in the rubble of the hospital garden.
Thank you, Eugenie...my love.
Certainly a comment like that should have been followed up with,
"Love like, "I love this pudding"? Or love like, "Saphira, what Saphira?" But she is shy.
Back
in Holland once more, Saphira is whiny and demanding. She just needs
the slightest push and an American millionaire on the horizon and all
will be well. Aderik, meanwhile, has abandoned any pretense to himself
that he is doing anything other than chasing after Eugenie. He runs her
to ground at a museum on her day off, whisks her off to the country for
the day and then hectors her into coming in for tea.
Her: This is a silly conversation to have in the middle of the pavement.
Him: Indeed, yes. Let us go indoors before I do something even sillier...
But Saphira is inside his house (does his manservant not have a peephole and a dead bolt?) so we never get to see him get

sillier (Drat!) and she's so awful that she deserves to have her hand
painfully gripped by Eugenie when they bid each other good day.
Saphira pays her back by setting the date with Aderik...at least, that's what Iago...er...Saphira tells our strapping heroine.
Oh, and that day out was only to make me jealous, the little cat simpers.
Eugenie leaves Holland and Aderik with a
Don't you 'Eugenie' me. Tear it up, girlfriend.
Torquay:
What? How did we end up in Torquay? Upon her return to England a friend of a friend offers her a job as his nurse.

Pretend
that Aderik is Kevin Bacon... (see right). Yes, he knew the friend of
the friend and maneuvered her into a job (without her knowledge) just so
that he could keep an eye on her!
She doesn't love her job and when
Aderik comes to see her she is starchy--more so after he tells her that
he got her the job. But he has to tell her the truth. No hidden
agendas here. When she's still prickly (but delightfully so) he
responds cheekily,
Enjoy your
sausages!...and while you eat them reflect upon the fact that I am not
the reverend Mr. Watts, to be rolled up and dismissed with ladylike
venom.
Home for the weekend she gets yet another proposal from the persistent Mr. Watts.
And back to Torquay again.
And then Aderik drives her home again.
Hey, Saphira is no more...The
next morning she finds him waiting for her on an upturned bucket at 6am
which is as nice a place for proposals as I can think of.
The End
Rating:
Oh my heck, this is great. I stayed up until almost 1am to finish this
book--partly to get it out of the way and partly because I kept
laughing out loud. The verbal sparring was just so fantastic and sharp
that I can't believe The Great Betty was 84 when she published this.
Eugenie is darling and alarmingly frank, Aderik is in a coil but not for
long, her mother practically steals the show every time she makes a
peep. I could have lived without the detour through Torquay (though the
sparring there is awesome too) because, plot-wise it seems like a
stretch. And I don't like how Eugenia says 'your Saphira' all the time
(though I get the point of that--she underlining the fact that as the
women aren't friends she can't say just plain 'Saphira' and she is
Aderik's responsibility after all). But otherwise I have so little to
complain about that it seems picky.
Queen of Blinking Puddings!
Food: Croquettes and salad, uitsmijters, tomato and onion soup,
filete de espada, maracuja, bolos de mel. She drinks her first beer and he drinks lemon squash with a pained expression. We also get a revolting dinner of
sausages, spinach, potatoes with prune and custard. Ick.
Fashion:
Wellies and tweeds belong to Dartmoor. Holland gets a jersey dress, a
chocolate chiffon pleated skirt, hyacinth blue swimsuit and wispy
undies. Madeira has cotton dresses, a chambray dress in nutmeg brown
and a straw hat.
Bosnia is camouflage and a blue helmet.