With my apologies for not having finished a Betty by the Numbers for this week (we're having a party tonight!), I hope you'll seek out and immensely enjoy this wonderful happy-cupcake of a novel.
This is a wonderful book! I just
discovered it a year or so ago, and have probably read it four times
since. There’s also a very good, though
very different, movie version. Big
caveat: the stinkin’ book carries the 1930s English lit stain of
anti-Semitism. Gosh, I hate that. But it’s in about two or three sentences, so
I excise them mentally and carry on with the otherwise-most delightful Cinderella story
ever.
Guinevere Pettigrew is an Araminta at forty-ish, complete with the
mouse-colored hair, but without the advantages an RDD provides. She’s struggling to navigate London in the
1930s, and finding the going difficult for a dowdy spinster who’s not very good
at her putative profession of governess-ing.
(She finds children frightening.)
A curate’s daughter, she was reared to strict standards of morality, humility
and gentility. Add to that twenty years
of living in other people’s homes, at the mercy of her employers’ moods, children
and household rules, and she’s gone from timid to chronically terrified; from modest
to apologetically subservient. Our story
opens with Miss Pettigrew in desperate need of a job that will save her from
the workhouse. In search of that job,
she finds adventure, friends and happiness.
undated
photo of residents of an English workhouse.
They seem frequently to have been stuffed with children, which would
have made them especially upsetting for Miss Pettigrew
An employement agency sends Miss P. to the home of Miss Delysia LaFosse
(née Sarah Grubb), an actress and nightclub singer of surpassing beauty in need
of a governess, despite that “Miss.”
Miss LaFosse has a more immediate problem – too many gentlemen friends
about to collide – and despite her parsonical upbringing and belief in her own
incompetence, Miss P. makes great strides in sorting out the various callers to
beneficial effect. Miss P. quickly
realizes that life’s exigencies have made her much more open-minded and
affectionate, and less sternly moral, than her parents and culture molded her
to be.
Early in the day (sometime between 11:35am and 12:52pm; the chapters
are titled according to the minutes they encapsulate), Miss P. decides “she was
going to accept now everything that came along,” including a dry sherry. She is quickly swept into Miss LaFosse’s gay
and frivolous life, teetering on the edge of debauchery, and experiencing all
sorts of exciting things she’s never known before, including furs, taxis, a
nightclub and kindness. Her quick wit
and courage help her new friends out of several fixes, and she wins a beau of
her own and a much, much better job than any she’s held before. Sometime around 4:00am, the novel closes with
a delicious and well-earned sense of happy-ever-after-ness.
Miss Pettigrew and friends
attend a cocktail party that may have been quite like this one shown in the TV
show Upstairs, Downstairs
It’s not just the marvelous Cinderella story that makes Miss Pettigrew such fun. Listening in on Miss P.’s thoughts as she
transforms herself from cringing, unloved drudge to brilliant social strategist
and fierce guardian of her friends’ best interests is great fun – funny and
uplifting. Early in the book, “Miss
Pettigrew cast a sternly disapproving eye about her, but behind her disapproval
stirred a strange sensation of excitement.”
Close to the end, she’s thrown
her upbringing to the wind: “If the
small voice of conscience did pipe up, Miss Pettigrew turned a wickedly deaf
ear. ... She was out to enjoy herself as she had never enjoyed herself before,
and all the sermons in the world wouldn’t change her course. ... Now she
lived. She was inside of things. Now she took part.”
I like the movie less well, but still recommend it. It makes two significant changes from the
book: first, it feels truer to its time
period – the late 30s – by bringing WW II’s imminence into the story. That helps put the gaiety of the society
butterflies and Miss Pettigrew’s very different experience into a more
realistic perspective. The second
dramatic change is a lousy one: rather
than show the camaraderie between women that the book emphasizes, the writer
imbues one of the nicest secondary characters in the book with a vicious
jealousy of Miss Pettigrew, and shows the two as rivals rather than supportive
friends. Pfui.
Brighton: Miss La Fosse
luxuriates in all the most garish parts of that sinful city; other characters
visit; our heroine’s beau has clearly been there; our heroine, at 40, has never
kissed a man. “’The culmination of all
true romance,’ said Miss Pettigrew sternly, ‘is marriage. Unless the thought of marriage enters both
partners’ heads, you may be sure there will be no permanent happiness.’”
Clothes: a five-year old coat of
a nondescript, ugly brown, not thick enough for a cold, drizzly November day in
London; a silk and lace négligé; real
silk underclothes; home-made woolen underclothes; black velvet evening dress
with jade earrings and necklace; a fur coat; a “magnificent black evening wrap
with a white fox collar;” gentlemen in evening dress and more.
Food: not really a focus, but
grapefruit, ham, eggs, toast and marmalade; various cocktails, including Miss
P’s own pour of soda water with just a dash of sherry for color (“Why men waste
money getting drunk on [whiskey], when they can get a really cheap palatable
drink like lemon squash...!”); a nice cup of tea; a delicious dinner with
unspecified soup, fish, roast and sweet; a “marvelous concoction” of “cream and
fruit and nuts and ice-cream and a wonderful syrup.”
Incidentally, the author’s story is fascinating. She was a secretary with time on her hands,
reading at work, when she remarked to her sister and brother-in-law that she
could write a better book than the library’s latest offering. Her BIL told her to get on with it, and she
wrote six novels, in three or four quite different styles, before giving up
writing to run a household that included her husband, children and
mother-in-law. “You can’t write if you
are never alone,” Ms. Watson explained to an interviewer. Miss
Pettigrew Lives for a Day is very available at my local library, and
carries my very highest recommendation.
PLEASE READ THIS BOOK and let me know what you think.



Wow. I've got to read this now. The trailers made me tempted to see the movie, but I was afraid there would be too much Brighton in it. Now, I'll read the novel that started it all.
ReplyDeleteAnd I sympathize with the author. It is hard to write with too much noise and emotional obligations. But, now that the kidlets are bigger, I'm finally finishing finishing some things. WARNING: SHAMELESS PLUG I don't know if I can add this here, but if you go to my blog, I have a new ebook that incorporates a lot of Betty Neels type themes (MOC, slightly rude rich boss/hero, mousy heroine who isn't a doormat)
oops. Blog address: www.beverlyfarr.com
DeleteWe not only don't mind shameless plugs from our lovely Bettys, we encourage them! Congratulations on finishing your book!
ReplyDeleteThis might be a good spot to encourage any of our other Bettys to plug their books (Bettys Tia, Magdalen and Miranda...I'm looking at you!). Or shamelessly plug the books of family and friends, with one caveat - please include a Brighton warning for those Bettys who would like to avoid extended holidays.