Saturday, February 20, 2010

Sun and Candlelight--1979

I love thee to the level of everyday's most quiet need, by sun and candle light...I love thee with the breath, smiles, tears of all my life. --Elizabeth Barrett Browning ..........Well, Mijneer Doctor van Dutch-stein, I don't mind if you do.

So that's where the name comes from and from a woman who wrote books titled, A Dream Came True, The Course of True Love, and Marrying Mary, this is a stretch and a welcome one.

Alethea Thomas (Do we say it Uh-lee-thee-uh or Al-thee-uh?) is 27 dark, lovely (she can't be old and plain, can she?), and a cracking good nurse as Theobald's Orthopaedic Ward Sister. She has a penchant for shady characters and oily housemen and that's really a shame because...

Sarre van Diederijk is neither. He's 39 and divorced. Divorced. Divorced. Divorced. His ex-wife is not dead either which is the only instance I can think of where a Neels hero is so encumbered. She (the ex!) was happy to abandon her one-year-old children though and sail off into the Peruvian sunset with a man who is doubtless named Armando and wears solid gold pinky rings. So Sarre has two kids, a orthopaedic practice in Groningen and a Cockney houseman named Al who drops his 'aitches and was collected in much the same way as a canal puppy or an abandoned kitten. (It is surprising that he doesn't just call him Moses or Flotsam.)

Plot:
Alethea is having the single worst night of her life. There she is in her fine black voile patterned with flowers, expecting a ring and a declaration of undying love from a man named Nick. Instead of wedded bliss she is asked to contemplate the age-old human question: But will you love me tomorrow? If she were any judge of character she would have watched Nick doing his round at the hospital as Seducer of young ladies/orthopaedic houseman, taken one look at his name tag and made an about face. Nicks are not to be trusted.
They'd been dating for months and this was not enough time to uncover the fact that Nick was only softening her up for "a weekend in Brighton"--which, while one step up from a proposition for "tea at a friend's flat", still amounts to the same thing.
Editorial note: Months? It took this couple months to discover that she was "the most unsporting girl for miles around" and that he was a lout of elephantine proportions? As I might be tempted to say, "That's a lotta curry dinners."
If Nick was not firmly established as a worm already, he makes some intensely lame excuse about not being able to afford a wife yet (Mijneer Nathan van Voorhees and I first set up housekeeping in a palatial basement apartment with a gusty shower and half an oven. Too poor to marry? Please. Sell it somewhere else. ) Anyway, he takes her ladylike refusal poorly. And by 'poorly' I mean that he stands up from his table at the 'nice enough to convince Alethea that seduction is a highbrow affair' restaurant and beats it. So there she is, stuck with the check, a dwindling cup of coffee and the mortification of knowing that her patterned voile was all for naught.
But Sarre comes to the rescue, paying the bill and speaking loudly enough for the patrons to understand that He. Is. Not. Picking. Her. Up. He's not the kind to make invitations to Brighton, we see. In these less romantic times, Alethea would have had a debit card with her and then taken Nick to small claims court for the balance of the bill. So, for the sake of the story, we can be thankful that the banks are closed and she was only carrying small change.
Of course she bursts into tears when they finally get out the door and I could kiss The Venerable Neels and dance around her like a maypole for allowing Dastardly Nick to catch a glimpse of his unwilling maiden and a tall stranger headed to the Nurses' Home at the end of the night. "Yes!" shouts the Neels, spiking her ball and celebrating in the end zone, "Take that, you Defiler of Innocents!"
Sarre ends up being a consultant for Alethea's ward and saves her from several nasty cracks that the Dastardly Nick is willing to let fall. (who is already dating an only child of a successful grocer! Which reminds me of Margaret Thatcher, btw.) So, though Nick would like to make Alethea suffer for being so unsporting, he can't quite land a blow.
Sarre is quick to seize an opening, whisking a half-hearted Alethea off for dinners in outfits she manages to look gorgeous in even though she is a bit of a drip. ("Nick, Nick. Nick, moan, moan, moan...ad infinitum). Still, she makes a rather deep observation that if Nick wanted her back she would probably go and would never forgive herself for it. I, on the other hand, am willing to forgive a girl a good deal for such honest dealings with herself.
Sarre proposes. It comes a touch out of nowhere but the juicy bit is that he hasn't bothered to prepare her for the fact that he has 11-year-old twins until he's popped the question. In my limited (married at 21) experience there are several things a couple gets out of the way on the first date:
  1. Will you ever, never, or possibly go to Brighton? Under what circumstances? How many curry dinners will it take?
  2. Do you have small humans living under your care that I shall have to care for, arrange visitation with, or support? Will we be required to be on a first name basis and will I have to teach him to pee in a potty?
She is given a few days to mull step-motherhood. Fully intending to say "no", she says "yes". (Isn't that just like a woman.) But Sarre is a babe so I will overlook her spinelessness.
They offer him sandwiches and beer.
Editorial note: Okay, so in the land of Neels, lady's don't drink beer and Alethea is at her grandmother's house with a female housekeeper as well. That's three ladies and they happen to have a beer. Do they keep it in food storage? Is it beer they keep in the fall-out bunker? Is it Dharma Initiative beer? Does beer even keep? "Namaste, Sarre. Have a beer."And now I will post a picture of Sawyer because it seems to be a moral imperative.
The engagement goes like this:
  • Hey, since I'm divorced you don't get a church wedding. Crossing my fingers that that doesn't matter to you!
  • Hey, let me slow down the gunmetal grey Jaguar XJ-5 with pearl grey leather upholstery on the M11 and chuck you the ring box filled with Standard Dutch Issue Family Heirloom Sapphire and Diamond Engagement Ring. I'm chucking it at you instead of turning into a lay by because my ex-wife killed me inside. Oh look. It fits!
  • Hey, come meet my kids. No, no, Sarel and Jacomina always look like that...
  • We'll be in Holland and I'll refuse to show you around the awesome house not once, but twice, because I know that showing someone around your ancestral home is code for "I *heart* you--and I wouldn't want you to get that idea.
  • Hey, meet my totally intimidating semi-hot co-worker.

They get married in a registrar's office and are able to arrange a Service of Blessing. One Church of England parish website says this:
The Service of Blessing after a Civil Marriage has no restrictions around it. It is used by those who may not qualify for marriage in [the church] for...legal reasons, or who prefer to keep the religious and legal parts separate. Both are profound and beautiful services and enable you to enter into your marriage in the church.
To skip the bother of having to explain this detail ever again, The Great Neels cheerfully killed off straying brides of our long-suffering heroes for the next twenty years, leaving behind her a bloody path of destruction littered with car accidents and plane crashes. Many South American men were casualties of this policy as well.
They get to Groningen and Sarel and Jacomina look at her with "hate". She is "frightened" that they will never like her. She should have been frightened that they would put strychnine in the Earl Grey but her imagination was sadly lacking. Unforgivable things they do to her:
  • Pet mouse in the bed.
  • Ruination of a smashing lavender evening gown by intentionally upending a vase of flowers on it. The Soulless Nanny stares on unmoved.
  • Verbal insubordination. The Soulless Nanny stares on...
  • Vandalism of personal objects
  • Potential man-slaughter (but let's save that for later)
Nanny (who is middle-aged and not some old person who might be excused for thinking she will get tossed out on her ear) is like some malevolent Iago and Sarel and Jacomina look like something from Children of the Corn. The plagues of Egypt are raining down on Alethea and Sarre remains oblivious. It doesn't help that she thinks snitching is a no-no. But life with Sarre is nice ("If only it were Nick...") and when she is taken to see the marriage settlements (like a post-nup?) she feels a warm glow. Sarre is loaded. I'd feel a warm glow too...
Not long after this she has her moment of realization. "It's Sarre not what's-his-name!" There follows one of the nicest moments of realization in any Neels novel. She thinks (for no reason other than his haggard and sad expression) that he loves Anna. It does not, however, lead to kissing so let us not pursue it.
Sarre takes her to Romantic Hamburg! (I'm trying here to cast a pink lamp glow on Hamburg. No snickering from the peanut gallery.) There he buys her a really expensive antique music box because he forgot the cardinal rule of kids. (In unison now!) "Children Ruin Everything." (Seriously, I'm going to cross-stitch that into a sampler.)
When she gets back they...um...step on it several times on purpose. Her distress is obvious and Sarre is heartened that she cares so much about something he bought for her. A magician restores it perfectly--in one day.
They have a spat about Anna (who doesn't matter and never matters) and then her grandmother comes to visit. Grandma listens to her story about her nice little life and then cuts to the chase, "Yes, dear, now supposing you tell me all about it." Granny wins.
Sarel and Jacomina stretch their credibility by being able to sustain such a long and sustained loathing of Alethea. (Real children don't have the attention span for this.) They lure her to an abandoned house and hope to lock her inside for a bit. Instead, they finally get their just desserts by falling down a hole. Alethea shows her devotion to them by hopping in after them and playing "Three down a hole!"
Sarre rescues them by making her lift two 11-year-olds above her head (ouch!) and then sends everyone off for a hot bath which leaves me in slack-jawed admiration of his water heater.
But they're not done mis-communicating and he gives her tickets to go back home.
Meanwhile the Children of the Corn have been replaced with The. Best. Kids. Ever. No, really. It's as though there was an alien abduction down in the hole. As bad as they were they are that good now. I'm a sucker for their contrition so it sort of works for me. Nanny, however, gets a pass on all the subversive, frowny-faced behavior. I would trust the woman to hoover the ground floor of my house and I'd still shake her down for the family silver at the end of the day. But they're going to trust her with the kiddos again. (I'd set up a teddy bear-cam. Just saying.)
Sarre is sending Alethea away so she gets ready to go but not before having a go at the brandy bottle and running Sarre to ground. "He must be told," she thinks to herself tipsily. She bursts into the board room as only an Olivia can and has her say in his office.
Public kissing!

The End

Food: Soup with garlic (why does this sound awful?), zabaglione (?), Rice Crispies (I'll make those!), rhubarb pie (well sugared), pork pie, Dundee cakes, apple pie and ginger cake

Fashion: Sarre's brother's first girlfriend wears frizzed hair and a dress that looks like a silver tissue tent so of course they break up.

Rating: This is a bit of a Curate's Egg--excellent in parts. I'll give it a mince pie even though sections of it are really quite good and original because Nanny and the kids get off waaaaaaay to easily for my peace of mind and for the health of the republic.
Point of order: The Betty doesn't usually bring up the sexual revolution. In her later novels she just skated over any question of that and this is among the reasons her books are called anachronistic and old fashioned. A girl wandering around in clothing from the 1940s is old fashioned. Owning a collection of Neil Diamond records (ahem...whistling) is old fashioned. Drying your clothes on a clothesline is old fashioned. Ladies that choose not to go to Brighton should never be called old fashioned. Also, you've got to admire Betty for not succumbing to an icky double standard where her heroes are concerned. They weren't having any visits to Brighton either.
Okay, now I'll get off the soapbox.

21 comments:

  1. Let's try this again ...

    About the name (I'll have more to say about everything else, but let's get the name out of the way first).

    I had assumed Alethea would be pronounced AL-uh-thee-uh, but the Brits sometimes like to put the accent on the second syLABul, so it would be uh-LETH-ee-uh.

    But I asked Betty Ross, who thinks it would be AH-lee-tah, which presupposes a few very British conventions, like pronouncing TH as a hard T sound (Anthony becomes Antony, etc.), and that the ea at the end are just a poncy way of spelling the UH sound at the end of a girl's name, e.g., KeirUH.

    Thus, there is only one proper conclusion to reach: The Brits are weird.

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  2. I lean towards uh-LETH-ee-uh, myself.

    Also, in re-reading my post I have a clarification. I don't think that Dastardly Nick is a louse for asking her to Brighton but for turning on her so nastily when she says, "Thanks but no thanks."

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  3. Mmm...zabaglione! Love it as a very rare treat. Zabaglione is an Italian custard that is rather like a thick sauce. It's really good over berries.

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  4. I think of custard as something that you put berries on top of. Betty Lynn, you're as handy as the inter-web-nets.

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  5. Okay, my two-hour call-in meeting of the Pension Committee is over, so back to the REAL stuff in my life. (After a vote on a motion, where I was the only one to say "aye" because everyone there just raised his/her hand, they threatened to set up a webcam. "Oh, I'd have to dress up," I said. "Are you in your pajamas?" they asked. "I plead the Fifth..." was my response. Which is code for "Of course I'm in my pajamas. It's called 'working from home'.")

    Okay, so I got whiplash from one particular aspect of this book.
    Pro: Sarre falls in love and wants to be married to Alethea for ever & ever.
    Con: He doesn't even bother to mention the kidlets to her, or her to the kidlets. (Kids + Niblets = Children of the Corn.)
    Pro: He's understandably gun-shy about women because first wife was the Worst Veronica Ever.
    Con: He can't have done a very good job of being a proactive dad if he relied on Nanny to get kids ready for a stepmother.
    Pro: He does see what Sarel & Jacomina are up to.
    Con: He doesn't seem very proactive about the issue.

    I get it that Neels heroes do have benign flaws (absent-mindedness, preference for work over romance, and uh . . . that would be about it, but it's still not the null set), but Sarre seems to have taken that to extremes by not allowing Alethea to meet the ickle darlings in advance. Did he really imagine she could be a good stepmother if the kids are sprung on her like drop-down skeletons in a Halloween house of horrors? And if he'd just sat down and explained how this marriage thing was going to go ("she'll be like an extended guest with a generous allowance and a car...") maybe Nanny would have done her job and kept the kidlets from turning into juvenile delinquents...

    I do recall being way more upset about the music box the first time(s) I read Sun & Candlelight; as I've aged, my conviction that owning stuff is the best insulation against loneliness has abated.

    But Alethea has some 'splaining to do of her own -- what's with thinking about Nick so much for so long? I get it that she thought they would marry (although why? what's he got that's so special?) but here's where the anachronisms really catch up with Betty Neels. Supposedly, Nick and Alethea had been going on for four months. Do we really think that he'd not put the moves on her before this -- some snogging before he takes her back to the nurses' home? A suggestion that the curry dinner be take-away at his flat (the one time all his roommates are away - - in Brighton?). So c'mon -- Alethea has to have had ample opportunity to tell Nick that she's Not That Sort of Girl before the dinner out.

    Personally, I think Betty Neels had only the vaguest notion of what young people did, and a "weekend in Brighton" would probably cover most of it. Funny.

    Great review as always. And I think the Barrett Browning poem is as lovely a literary reference as we get in a romance novel...

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  6. "...sprung on her like drop-down skeletons in a Halloween house of horrors..." Oh. Excellent.

    And I agree about Nick. He would have become a little hands-y long before dropping a nuke like "weekend in Brighton" on her.

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  7. We really should count up and see how many of our Darling Betty's (DB) heros' first wives ran away with American or South American millionaires. DB really did have the best revenge for those nasty Veronicas: either the chubby, balding American millionaire or the swarthy, gold pinky-ring wearing South American millionaire.

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  8. @Betty Keira - Thank you! Actually, I just have a few great food loves and zabaglione is one. I discovered it in an Italian restaurant my parents like and look forward to my once a year treat. :-)

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  9. Was re-reading this review and noticed that the hero in Hannah was also encumbered with an ex-wife very much alive...

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  10. "Why does one do idiotic things?"
    ..."I'll tell you why, Mr. Pomfret. Because you haven't the guts to say No when somebody asks you to be a sport. That tom-fool word has got more people in trouble than all the rest of the dictionary put together. If it's sporting to encourage girls to... get themselves into a mess on your account, then I'd stop being a sport and try being a gentleman."

    Not my own -Betty van den Betsy

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    1. "Why does one do idiotic things?" ...

      Gaudy Night: Lord Peter Wimsey, Book 12
      By Dorothy L Sayers

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  11. Magdalen,
    Speaking of names and pronunciation. Yesterday I stumbled onto this:

    Alethea - How do we pronounce it?

    Magdalen, you will be glad to hear, that the Brits are not that weird. A couple of months ago when I read the book (for the umpteenth time) I looked up the name in my Cambridge English Pronouncing Dictionary. There are different ways of saying the name. The first is "felt to be" the most frequently heard pronunciation. (I translated the phonetic symbols into "your system".)

    British English:
    1. al-uh-THEE-uh
    2. uh-LEE-thee-uh
    3. AL-uh-thee-uh

    American English:
    1. al-i-THEE-uh ( "i" as in it )
    2. uh-LEE-thee-uh

    Ask Betty Ross if he read "Prince Valiant" when he was little. I did. There is an Aleta there.
    Betty Anonymous

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  12. Correction:
    3. AL-i-thee-uh ("i" as in it)

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  13. I believe the librarian in junior high school (which dates me; they're all called "middle school" now) was Althea something or other. I'm afraid we teased her. :-(

    Betty Ross is confused. "Prince Valiant" the American cartoon strip? If that's what you meant, he says no, he didn't read it, and asks if you meant "Prince Caspian" instead?

    I just bought him two Tintin books for Christmas. I hope he doesn't already have them, but if he does, I'll just give them to Betty Henry. (The convenience of having two Brit Hubs and no kids...)

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  14. Prince Valiant is still published - Sundays only - in The Washington Post, and presumably other US newspapers. The prince's queen is Aleta, and you can see her in action in a recent episode here.

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  15. Magdalen, thank you for your quick response. No, sending the little mite to boarding school had nothing to do with being a kindred spirit. I thought he might have read "Prince Valiant" because of the pronunciation he suggested for Alethea. When I was little Prince Valiant was my favourite cartoon. I used to buy a biweekly cartoon "anthology". And my favourite story in it was "Prince Valiant" printed in brown ink on strong off-white paper. (The other cartoons were printed in colour on "regular" thin paper.) And Aleta (which I pronounce Ah-LAY-tah) actually looked much more beautiful and elegant in brown on white than the new Aleta in colour. I bought some Prince Valiant books when I was grown up. They are in colour. Strangely enough, I don't remember what Aleta looked like in them.
    Thank you Betty van den Betsy for finding out that Prince Valiant is still published.
    Betty Anonymous

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  16. This is a great review. Still laughing.

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  17. This one gets better with time,or it might just be that I am older and less judgemental. Whatever the reason, I enjoyed it immensely this time around. By the way, doing this re-read in order, from the last written to the first, is very cathartic.

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  18. It is not a story with a happy ending for the heroine. It is a story of a very rich man who buys a malleable younger wife. From the moment they met Alethea is indebted to Sarre. So much so, she never really questions him about his first wife.

    Sarre freely admits that there are two stories circulating about her. The children believe she is dead (as if that is not going to come and bite him in the future) or that she remarried and moved continents. (A man of his resources is not going to know exactly where the mother of his children is???) The children's maternal family never contacts them??? Something went terribly wrong in that marriage.

    Perhaps the fate of the first wife was far more sinister. Early twenties, overwhelmed by the birth of the twins, she finds herself with an indifferent husband, key household staff who don't speak Dutch and a malevolent Nanny who has probably preyed on her insecurities to establish dominance. We can speculate that the first wife fled from a bad marriage and a hostile household not that she didn't love her children but for her sanity she couldn't afford to.

    Sarre is quite happy for history repeat itself with once again the Nanny manipulating circumstances. Sarre acknowledges that the Nanny is not a positive influence on the children, he knows that there is a campaign being waged against Alethea yet does little to intercede. In the end, he still does not terminate the services of the Nanny or reprimand the children. Is it little wonder the first wife left?

    We think Alethea holds onto her idolisation of Nick not for himself but what she has lost in marrying Sarre. She doesn't get the white dress, the church wedding, the opportunity to make a home (she is just an interchangeable wife in Sarre's world) and children of her own. (Any child of hers would not be safe with that Nanny, violently predisposed step children and a husband who won't protect her).

    Poor Alethea. She should not have married on the rebound.

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    1. Yikes!! Up until I read your summary, I was so-so on reading this book. Stepchildren and unkind nannies are not my poison of choice, and Sarre seems only middling. But read using the perspective of the absent first wife it sounds sort of fun (in a strange way). I think the first wife has been "done in" (but I also think that Aunt Maria in "The End of the Rainbow" is locked in a soundproof cell in the renovated basement of Waldo's nursing home purchase, so I read my Betty's on the dark side). Alethea should have run, run, run!

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    2. Ha ha ha! You are a dark one. 🤗

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